{"id":61,"date":"2021-08-02T14:05:58","date_gmt":"2021-08-02T12:05:58","guid":{"rendered":"https:\/\/sito-fff.manticasolution.com\/?page_id=61"},"modified":"2025-12-19T18:36:09","modified_gmt":"2025-12-19T17:36:09","slug":"about","status":"publish","type":"page","link":"https:\/\/www.futurefilmfestival.it\/en\/about\/","title":{"rendered":"About"},"content":{"rendered":"<h4><strong>ABOUT US<\/strong><\/h4>\n<p>Animated cinema is our passion. But not only. For us, it is the peak of contemporary art that aims at synthesis, at ceaseless interaction between sign and meaning where spectators become players, users, and content creators themselves, in a world and the many different universes that look towards the future while constantly changing shape and meaning.<\/p>\n<p>Other than animation, we also enthusiastically explore visual effects, gaming, augmented reality, virtual reality, the metaverse, video mapping and much more.<\/p>\n<p>Visual effects, for example, are increasingly being used in live-action films, transforming reality thanks to animation, making cartooning the protagonist of films and series such as Avatar, Mission Impossible, Dune, Love, Death and Robots, Stranger Things or Carnival Row. As Guillermo del Toro said talking about Pinocchio, his latest Oscar-winning hit from 2023, ANIMATION IS FILM.<\/p>\n<p>Whether from thrillers to horror, from fantasy to detective stories, from political fantasy to documentaries or from fairy tales to noir, animation is now a part of cinema, no longer and not only a genre but a real technique and style used for depicting the world.<\/p>\n<p>For over twenty years, Future Film Festival has in fact dialogued with and presented the greatest animation\/visual effects authors, directors and animators and has collaborated with production companies such as Pixar Animation Studios, Studio Ghibli, Aardman Animations, Blue Sky, Illumination Studio, Industrial Light and Magic, EDI, MadHouse, MoVimenti Productions, Mad Entertainment, Miyu Production, Studio Mappa, Production IG, as well as both national and international distributions such as Universal Pictures, Warner Bros, Netflix, Sony Pictures, Lucky Red, I Wonder, Plaion, Amazon, Double Line, MK Entertainment, BIM, and many more. It has always stayed in touch with major research centres such as Cineca&#8217;s Visit Lab and MIT &#8211; Massachusetts Institute of Technology as a privileged observatory for new forms of entertainment, keeping an eye on the young and independent realities, always looking towards the future.<\/p>\n<p>#Animation #Cinema #Gaming #ImmersiveTechnologies #VisualEffects #ArtificialIntelligence #motiongraphic #comics #cartoon #anime #manga #Metaverse #animationisfilm<\/p>\n<p>Learn more:<br \/>\n<a href=\"https:\/\/www.futurefilmfestival.it\/wp-content\/uploads\/2025\/12\/24FFF-general-Inglese.pdf\" target=\"_blank\" rel=\"noopener\">24FFF_slideshow 2025<\/a><br \/>\n<a href=\"https:\/\/youtu.be\/uiaXj5TVRDE\" target=\"_blank\" rel=\"noopener\">Teaser 2025<\/a><\/p>\n<h4><strong>THE CONCEPT<\/strong><\/h4>\n<p><strong>FUTURE FILM FESTIVAL<\/strong><\/p>\n<p>THE CINEMA OF THE FUTURE | THE FUTURE OF CINEMA (AND NOT ONLY)<\/p>\n<p>Future Film Festival was born on the threshold of the year 2000, an emblematic year where future seemed both imminent and distant at the same time. As Kubrick had foretold in a visionary message at the end of the 1960s: &#8220;<em>The most terrifying fact about the universe is not that it is hostile but that it is indifferent, but if we can come to terms with this indifference, then our existence as a species can have genuine meaning. However vast the darkness, we must supply our own light<\/em>.&#8221;<\/p>\n<p>The future is from then on not only the Great Unknown, but also and above all the occasion to rethink the figure of Man in the universe. Cinema, too, underwent great transformation and entered the realm of the unknown at the end of the 1990s. Computers became a fundamental part of image processing and people&#8217;s everyday life. From the \u201cintelligent\u201d computer as 2001: A Space Odyssey envisioned it, we arrive to computers capable of generating moving images.<\/p>\n<p>And then there\u2019s Fiction, the playful interaction between real and virtual, the incursion of real actors into virtual scenarios, or digital characters into real sets, creating the most magical illusion of all time, the one George Meli\u00e8s dreamt of. Animated cinema, the magical expression of fiction par excellence, cannot but fully be a part of this universe.<\/p>\n<p>2006 &#8211; Time Magazine presents as &#8220;person of the year&#8221; a computer screen with YOU written on it. The subtitle explains: &#8220;<em>Yes, you. You control the Information Age. Welcome to your world<\/em>.&#8221;<\/p>\n<p>This becomes Cinema\u2019s new truth: more and more, extra-wide-screen video game experiences, YouTube (born in February 2005), mobile devices, series, the carousel-like 3D cinema, and VR make the spectator the protagonist, turning him into a Player.<\/p>\n<p>What is more, today&#8217;s image producer must compete with \u201camateur\u201d producers. The notion of open source, or open work if we want to call it \u201cthe old-fashioned way\u201d, contaminates the world of Cinema.<\/p>\n<p>As Guido Bartorelli states in his book Art\/Tube, one of the emblematic films of this shift in the relationship between cinema, producers and spectators is Michel Gondry&#8217;s Be Kind Rewind (2008).<\/p>\n<p>&#8220;In this film, consumers appropriate freely the films they love(&#8230;). This way, their entire community becomes prosumer.&#8221; It is not so much the quality of the image that matters anymore, but rather its transformability bringing it close to us.<\/p>\n<p>We draw content and inspiration for the Future Film Festival programme from this complexity. As Walter Benjamin said: \u201c<em>The film has not yet realized its true meaning, its real possibilities &#8230; these consist in its unique faculty to express by natural means and with incomparable persuasiveness all that is fairylike, marvellous, supernatural.<\/em>\u201d<\/p>\n<h4><strong>THE BOARD OF HONOR<\/strong><\/h4>\n<p>The Festival&#8217;s Board of Honour is made up of personalities such as Bill Laswell (USA, musician, composer), Leslie Iwerks (USA, director), Bruno Bozzetto (director, animator), Joe Cornish (USA, director), Peter Lord (UK, director and co-founder of Aardman Animations), Priit P\u00e4rn (Estonia, director, animator), Silvia Pompei (animator), Bill Plympton (USA, director, animator), Ikue Mori (Japan, musician, composer), Raul Garcia (USA, director), Bruce Sterling (USA, writer, essayist), Barry Purves (UK, director, animator), Beto Shibata (Brazil, graphic designer), Massimo Caiazzo, Laurina Paperina, Superdeux, Laurence Gartel, Antonio Riello, Pablo Echaurren, Luigi Presicce, Andrew Spradbery, Kensuke Koike, Eleuro, DEM, Matteo Capobianco, Michael Dumontier, Marina Bolmini, Alex Pinna, Studio Croma, Igor Imhoff, Rebecca Michelini, Yumi Karasumaru.<\/p>\n<h4>THE ARTISTS \u00a0OF THE FESTIVAL<\/h4>\n<p><a href=\"https:\/\/www.futurefilmfestival.it\/it\/gli-artisti-del-festival\/24frame-the-artists-of-the-festival-1999-2023-3\/\">24Frame-The Artists of the Festival (1999-2023)<\/a><\/p>\n<h4>THE ASSOCIATION OF THE FUTURE FILM FESTIVAL\u2019S FRIENDS<\/h4>\n<p>The \u201cAssociazione Amici del Future Film Festival\u201d aims to promote films related to the themes of future and technology, as well as motion picture science to an audience of young adults and students. The Association\u2019s headquarter is in Bologna, a city that is very open to film research since it hosts both the Cineteca di Bologna and the University of Bologna\u2019s Drama Arts and Musical Studies, not to mention the many production realities the area counts. The Association also works with children and teenagers, collaborating with local institutions through workshops on how to make animated films and how to use special effects. The educational aspect of our mission is the one we value the most: we want to educate the new generations to use the technologies available to them creatively and in a safe way. We\u2019d also like to contribute to the promotion of works that have not yet or have never had national distribution.<\/p>\n<h4>THE DOC NETWORK<\/h4>\n<p>In 2021, the cooperative Rete Doc took over the festival\u2019s organisation, as part of its mission to support and develop the work of people working in various creative sectors, especially the audio-visual one that has been particularly affected by the COVID-19 pandemic.<\/p>\n<p>Rete Doc is the largest network of professionals in Italy in the cultural and creative industry that has been offering quality services to companies, organisations, and institutions in the fields of culture, entertainment, creativity, innovation, research, training, tourism, territorial development, communication, and media for over thirty years. It was founded in Verona in 1990 as Doc Servizi but has then evolved into a network made of 9 different companies, a foundation, and 31 offices throughout Italy and abroad (in Paris and San Marino), counting 9.000 professionals as members. Rete Doc is the first and only joint cooperative venture* in the cultural field.<\/p>\n<h4>CREDITS 2025<\/h4>\n<article class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [&amp;:has([data-writing-block])&gt;*]:pointer-events-auto [content-visibility:auto] supports-[content-visibility:auto]:[contain-intrinsic-size:auto_100lvh] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" tabindex=\"-1\" data-turn-id=\"request-WEB:6ef803d9-8a6a-41ef-ba52-da22a7878c43-2\" data-testid=\"conversation-turn-4\" data-scroll-anchor=\"true\" data-turn=\"assistant\">\n<div class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:--spacing(4)] thread-sm:[--thread-content-margin:--spacing(6)] thread-lg:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\">\n<div class=\"[--thread-content-max-width:40rem] thread-lg:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\">\n<div class=\"flex max-w-full flex-col grow\">\n<div class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+&amp;]:mt-1\" dir=\"auto\" data-message-author-role=\"assistant\" data-message-id=\"4e495c61-aeae-4f2a-96c8-442daa61a4d2\" data-message-model-slug=\"gpt-5\">\n<div class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\">\n<div class=\"markdown prose dark:prose-invert w-full break-words light markdown-new-styling\">\n<p data-start=\"0\" data-end=\"49\">24FRAME Future Film Fest<br data-start=\"28\" data-end=\"31\" \/>25th Edition<\/p>\n<p data-start=\"51\" data-end=\"185\"><strong data-start=\"51\" data-end=\"69\">Giulietta Fara<\/strong> \u2013 Artistic Director<br data-start=\"89\" data-end=\"92\" \/><strong data-start=\"92\" data-end=\"110\">Andrea Minetto<\/strong> \u2013 General Director<br data-start=\"129\" data-end=\"132\" \/><strong data-start=\"132\" data-end=\"150\">Roberto Calari<\/strong> \u2013 Executive Advisor, Doc Servizi<\/p>\n<p data-start=\"187\" data-end=\"243\"><strong data-start=\"187\" data-end=\"206\">Mauro Luccarini<\/strong> \u2013 Art Direction and Graphic Design<\/p>\n<p data-start=\"245\" data-end=\"457\"><strong data-start=\"245\" data-end=\"263\">Aurora Ventura<\/strong> \u2013 Organization Office and Communication Coordination<br data-start=\"316\" data-end=\"319\" \/><strong data-start=\"319\" data-end=\"342\">Silvia Michelangeli<\/strong> \u2013 Sustainability and Administration Manager<br data-start=\"386\" data-end=\"389\" \/><strong data-start=\"389\" data-end=\"412\">Alessandra D\u2019Aloise<\/strong> \u2013 Guest Relations and Schools Coordination<\/p>\n<p data-start=\"459\" data-end=\"609\"><strong data-start=\"459\" data-end=\"476\">Stefano Zanni<\/strong> \u2013 Production Manager<br data-start=\"497\" data-end=\"500\" \/><strong data-start=\"500\" data-end=\"521\">Rebecca Di Ponzio<\/strong> \u2013 Calls and Production<br data-start=\"544\" data-end=\"547\" \/><strong data-start=\"547\" data-end=\"566\">Samuele Birmani<\/strong> \u2013 Programming and Subtitles Coordination<\/p>\n<p data-start=\"611\" data-end=\"761\"><strong data-start=\"611\" data-end=\"627\">Marco Vidale<\/strong> \u2013 Social Media and Website Communication<br data-start=\"668\" data-end=\"671\" \/><strong data-start=\"671\" data-end=\"695\">Nausicaa Dalla Torre<\/strong> \u2013 Digital Graphics<br data-start=\"714\" data-end=\"717\" \/><strong data-start=\"717\" data-end=\"732\">Livio Sergi<\/strong> \u2013 Video Making and Editing<\/p>\n<p data-start=\"763\" data-end=\"856\"><strong data-start=\"763\" data-end=\"809\">Cristiana Ferrari, Margherita Giusti Hazon<\/strong><br data-start=\"809\" data-end=\"812\" \/><strong data-start=\"812\" data-end=\"839\">Ass. Atelier Spazio Xp\u00f2<\/strong> \u2013 Press Office<\/p>\n<p data-start=\"858\" data-end=\"930\"><strong data-start=\"858\" data-end=\"906\">Margherita Sgobbi, Giovanna Pilar Campanella<\/strong> \u2013 General Secretariat<\/p>\n<p data-start=\"932\" data-end=\"1179\"><strong data-start=\"932\" data-end=\"952\">Guglielmo Onofri<\/strong> \u2013 Technical Support and Runner<br data-start=\"983\" data-end=\"986\" \/><strong data-start=\"986\" data-end=\"1078\">Martina Di Francesco, Aurora Fanetti, Alessandro Leombruni, Andrea Milesi, Giulia Silano<\/strong> \u2013 Projectionists<br data-start=\"1095\" data-end=\"1098\" \/><strong data-start=\"1098\" data-end=\"1154\">Emma Baruffaldi, Anna Grimaldi, Alessandro Leombruni<\/strong> \u2013 Subtitle Translators<\/p>\n<p data-start=\"1181\" data-end=\"1455\"><strong data-start=\"1181\" data-end=\"1199\">Pietro Cirillo<\/strong> \u2013 Administration and Finance<br data-start=\"1228\" data-end=\"1231\" \/><strong data-start=\"1231\" data-end=\"1304\">Roberta Bargiggia, Giulia Bussola, Giulia Sergiampietri \u2013 Doc Project<\/strong> \u2013 Project Office<br data-start=\"1321\" data-end=\"1324\" \/><strong data-start=\"1324\" data-end=\"1378\">Giovanna Ceccacci, Giulia Plebani, Francesco Cisco<\/strong> \u2013 Sponsors and Partners<br data-start=\"1402\" data-end=\"1405\" \/><strong data-start=\"1405\" data-end=\"1431\">Barbara Alberti \u2013 Stea<\/strong> \u2013 Planning and Safety<\/p>\n<p data-start=\"1457\" data-end=\"1586\"><strong data-start=\"1457\" data-end=\"1522\">Ivan Venturi, Silvia Teodosi, Alessio Brusori \u2013 Power Up Team<\/strong> \u2013 Best Gameplay<br data-start=\"1538\" data-end=\"1541\" \/><strong data-start=\"1541\" data-end=\"1561\">Time Warp Travel<\/strong> \u2013 Logistics and Travel<\/p>\n<p data-start=\"1588\" data-end=\"1620\"><strong data-start=\"1588\" data-end=\"1608\">Mantica Solution<\/strong> \u2013 Website<\/p>\n<p data-start=\"1622\" data-end=\"1685\"><strong data-start=\"1622\" data-end=\"1641\">Yumi Karasumaru<\/strong> \u2013 Image for 24FRAME Future Film Fest 2025<\/p>\n<hr data-start=\"1687\" data-end=\"1690\" \/>\n<p data-start=\"1692\" data-end=\"1790\"><strong data-start=\"1692\" data-end=\"1720\">24FRAME Future Film Fest<\/strong> is a member of <strong data-start=\"1736\" data-end=\"1744\">AFIC<\/strong>, the Association of Italian Film Festivals.<\/p>\n<p data-start=\"1792\" data-end=\"2072\">The <strong data-start=\"1796\" data-end=\"1824\">24FRAME Future Film Fest<\/strong> is organized by <strong data-start=\"1841\" data-end=\"1867\">DOC Servizi Soc. Coop.<\/strong>, the largest cooperative network of professionals that for over thirty years has provided high-quality services to companies, institutions, and organizations across all cultural and creative industries.<\/p>\n<p data-start=\"2074\" data-end=\"2209\"><strong data-start=\"2074\" data-end=\"2100\">DOC Servizi Soc. Coop.<\/strong><br data-start=\"2100\" data-end=\"2103\" \/>via L. Pirandello, 31\/B \u2013 37138 Verona<br data-start=\"2141\" data-end=\"2144\" \/><a class=\"decorated-link\" href=\"http:\/\/www.docservizi.retedoc.net\" target=\"_new\" rel=\"noopener\" data-start=\"2144\" data-end=\"2207\">www.docservizi.retedoc.net<\/a><\/p>\n<p data-start=\"2211\" data-end=\"2308\"><strong data-start=\"2211\" data-end=\"2231\">Demetrio Chiappa<\/strong> \u2013 President, DOC Servizi<br data-start=\"2256\" data-end=\"2259\" \/><strong data-start=\"2259\" data-end=\"2278\">Daniela Furlani<\/strong> \u2013 President, DOC Creativity<\/p>\n<hr data-start=\"2310\" data-end=\"2313\" \/>\n<h3 data-start=\"2315\" data-end=\"2345\"><strong data-start=\"2319\" data-end=\"2345\">A SPECIAL THANK YOU TO<\/strong><\/h3>\n<p data-start=\"2347\" data-end=\"4020\" data-is-last-node=\"\" data-is-only-node=\"\">Alessandro Gabriele, Alex Pinna, Alessandro Cacace, Alice Bergomi, Alice Catucci, Alice Mazzini, Alvise Avati, Anastasia Cavina, Andrea Galvagni, Andrea Giotti, Andrea Olimpio, Annalisa Commissari, Anna Sbarrai, Annina Wettstein, Antonella Guidazzoli, Antony Nkotpak, Barbara Busi, Bologna Welcome, Bruno Bozzetto, Candida D\u2019Aprile, Carlo Cavazzoni, Chris Wiggum, Chorong Kim, Cinzia Angelini, Claudia Fini, Conservatorio di Musica Giovan Battista Martini, Cristina Francucci, Cristina Scappi, Daniele De Luca, Daniele Del Pozzo, Davide Romani, Davide Zanza, Diego Viezzoli, Donatella Miceli, Edoardo Mazzini, Elena Vai, Elisa Trento, Elisabetta Mongardi, Emilio Varr\u00e0, Emiliano Fasano, Enrico Fornaroli, Erminia Ferrara, Fabio Abagnato, Fabio Fila, Federica Iacobelli, Federica Pasini, Federico Sangiorgi, Francesca Tamascelli, Gabriele Pollastri, Francesco Giomi, Francesco Lina, Franco Valenziano, Gabriel Cazzola, Giacomo Venezia, Giulia Arbace, Giulia Grassini, Giulia Miani, Giorgia Boldrini, Guglielmo Onofri, Hotel Maggiore Irene Gaia Turina, Jack Leslie, Kat D\u2019Adamo, Laura Tolve, Laure Goasguen, Leah Solis, Lucia Brizzi, Lorenzo Respi, Marco Mattioli, Marco Pieri, Maria Chiara Liguori, Martina Lodi, Martino Ghidoni, Massimo Garuti, Matteo Pompili, Marina Bellei, Mario di Nauta, Merle Lenz, Nicola Venturo, Nicoletta Maldini, No\u00e9mie Hutman, Patrizia Pasini, Paul Driessen, Pavla Kallistova, Raffaella Gaddoni, Rita Finzi, Rita Ghedini, Roberto Ferrari, Roberto Guglielmi, Rossella Fino, Sara Pesce, Silvano Imboden, Simone Ranieri, Soojin Chun, Stefano Laddomada, Teo Bernardi, Toshiro Fujiwara, Valeria Rosati, Valentina Mazzola, Vera Capraro, Zeid Nebolousi.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<div class=\"pointer-events-none h-px w-px\" aria-hidden=\"true\" data-edge=\"true\"><\/div>\n<h4>CONTACTS<\/h4>\n<p><a href=\"mailto:info@futurefilmfestival.it\">info@futurefilmfestival.it<\/a><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>ABOUT US Animated cinema is our passion. But not only. For us, it is the peak of contemporary art that aims at synthesis, at ceaseless interaction between sign and meaning where spectators become players, users, and content creators themselves, in a world and the many different universes that look towards the future while constantly changing [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"templates\/template-full-width.php","meta":{"footnotes":""},"class_list":["post-61","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.3 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>About - Future Film Festival<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.futurefilmfestival.it\/en\/about\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"About - Future Film Festival\" \/>\n<meta property=\"og:description\" content=\"ABOUT US Animated cinema is our passion. 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For us, it is the peak of contemporary art that aims at synthesis, at ceaseless interaction between sign and meaning where spectators become players, users, and content creators themselves, in a world and the many different universes that look towards the future while constantly changing [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.futurefilmfestival.it\/en\/about\/\" \/>\n<meta property=\"og:site_name\" content=\"Future Film Festival\" \/>\n<meta property=\"article:modified_time\" content=\"2025-12-19T17:36:09+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.futurefilmfestival.it\/wp-content\/uploads\/2024\/05\/FFF2024-logo-positivo-RAPPR.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"675\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"10 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.futurefilmfestival.it\/en\/about\/\",\"url\":\"https:\/\/www.futurefilmfestival.it\/en\/about\/\",\"name\":\"About - Future Film Festival\",\"isPartOf\":{\"@id\":\"https:\/\/www.futurefilmfestival.it\/it\/#website\"},\"datePublished\":\"2021-08-02T12:05:58+00:00\",\"dateModified\":\"2025-12-19T17:36:09+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/www.futurefilmfestival.it\/en\/about\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.futurefilmfestival.it\/en\/about\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.futurefilmfestival.it\/en\/about\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.futurefilmfestival.it\/en\/home\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"About\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.futurefilmfestival.it\/it\/#website\",\"url\":\"https:\/\/www.futurefilmfestival.it\/it\/\",\"name\":\"Future Film Festival\",\"description\":\"\",\"publisher\":{\"@id\":\"https:\/\/www.futurefilmfestival.it\/it\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.futurefilmfestival.it\/it\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.futurefilmfestival.it\/it\/#organization\",\"name\":\"Future Film Festival\",\"url\":\"https:\/\/www.futurefilmfestival.it\/it\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.futurefilmfestival.it\/it\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.futurefilmfestival.it\/wp-content\/uploads\/2024\/05\/FFF2024-logo-positivo-RAPPR.jpg\",\"contentUrl\":\"https:\/\/www.futurefilmfestival.it\/wp-content\/uploads\/2024\/05\/FFF2024-logo-positivo-RAPPR.jpg\",\"width\":1200,\"height\":675,\"caption\":\"Future Film Festival\"},\"image\":{\"@id\":\"https:\/\/www.futurefilmfestival.it\/it\/#\/schema\/logo\/image\/\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"About - Future Film Festival","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.futurefilmfestival.it\/en\/about\/","og_locale":"en_US","og_type":"article","og_title":"About - Future Film Festival","og_description":"ABOUT US Animated cinema is our passion. 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